Love the colouring in this film, very soft and defused feels like patchy cloud throughout, also has very soft old vintage feel to the film to show it's time.
Dark misty dim lit shots work really well for atmosphere in the film looks as if very purposfully shot in natural light? Is this something I could further look at and plan to shoot at interesting times of day?
Traditional music throughout with natural sea and wildlife sounds creates a nice audio dynamic to the film. Could include natural sounds from walks to do this.
Like strong inclusion of accents and the lack of filtering them as this was issue with earlier projects. I like the unapproachableness of it and that it is such a strong cultural signifier.
The polka at the end is a nice way to finish the film, maybe take this forward as the polka is where the Common Riding Day ends and is a high note.
Really feels like doom and gloom start and then trajectory to it being all all right in the end. Wonder if there will be a similar story arch with the Common Riding.
I, Dolours - Idea's and Thoughts
I, DOLOURS is a cinematic yet intimate and complex portrait of Dolours Price, militant IRA activist, hunger striker and dissident Republican who two years before she died gave a filmed interview on condition that it would not be broadcast in her lifetime.
Now for the first time her story can be told in full and entirely in her own words. This shocking film brings us deep inside the IRA and charts one woman’s journey from passionate idealist into disillusioned cynic, haunted by the memories of the terrible things she did for a cause she once so strongly believed in, she killed for it but, for which she believes was ultimately betrayed. Dolours Price resists easy stereotyping – she was a ruthless revolutionary/terrorist who didn’t shirk any task, however brutal. She demanded her equal place among the male-dominated members of the IRA and was pitiless in her scorn for those who didn’t share her total commitment. She was also a beautiful, charismatic woman, loving mother, devoted sister and friend. She was passionate but fragile, dogmatic, yet tortured.
Fascinating, moving and at times deeply disturbing - this is her story. I, DOLOURS is directed by Maurice Sweeney and produced by Nuala Cunningham and Ed Moloney with backing from Screen Ireland.
Personal Notes on Film
Theory From Lit Review & Ideas Developing From That
Ideas inspired by ARI